компютри втора употребаDownload these bad girls and add a little attitude to your next Photoshop project.

You can see some of these bad girls in action, adding a little feminine attitude on 3 by 5 index cards.

rent a car bulgaria

Here to celebrate those bad girls is a set of Photoshop brushes pulled from the my collection of magazines of the period, cleaned up and ready to roll. These bad girls come with their own racy tabloid headlines. Download this brush set, which comes with a text file and brushes in .abr format.

Don’t redistribute these girls, or I’ll send their sisters (more bad girl brushes coming soon!) after you. Seriously, a lot of time and clean up went into these tabloid sisters. Please point people to my web site so I can justify the time and hosting expenses. A link back would be very much appreciated, too.

Share This

We’re going to first give the photo a little bit of a professional presentation by giving it a fake mat, or border. Select the entire image by using Ctrl+A on Windows, or Command+A on the Mac. Select a dark foreground color, and then click Edit > Stroke. Set the stroke width to 1 pixel, and the location to center. This will give an outline to the image.

Next, to create the effect of a mat, make sure your background color is set to white. Select Image > Canvas Size, and add 10 pixels to the width and height of your image. This will give a 5 pixel border to your image. For a more dramatic mat, increase the size.

The next part is the easiest. Transform your color photo into a sepia image by selecting Image > Adjustments > Hue/Saturation. You can also use the keyboard shortcuts of Ctrl+U on Windows, or Command+U on the Mac. Click the colorize checkbox, and adjust the Hue slider until you find the effect you’re looking for.

As a last touch, add some noise using the grunge brush from a previous tutorial to give an aged look to your image.

Share This

Start with a new file, 1000 pixels by 1000 pixels. You can make it smaller, but this should give you a good size brush.

Select Filter > Render > Clouds. This will add cotton candy fluffiness to your image, which may seem like it’s a long way from gritty grunge, but it’s really only a few steps. The Clouds filter is one of the Photoshop filters that uses foreground and background colors to create the effect. If you get nothing, it’s probably because your foreground and background colors are set to the same color. The colors I’ve used in the example are a dark red brown and white.

Next, select Filter > Noise > Add Noise. I set the amount to 10%, and selected Gaussian as the type and selected the Monochromatic checkbox as well. This step adds the grit and grime to the equation.

Next, we’ll adjust the levels to give us just a little bit of grunge and texture. Select Image > Adjust > Levels, or use the keyboard shortcut of Ctrl+L on Windows, or Command+L on the Mac. The Levels adjustment window allows you to set the overall lightness and darkness of an image. In this example, I’ve lightened up the entire image by sliding the white Input Level triangle to the left to 114. I’ve also adjusted the black Output Level, which is located below the input level graph. I  moved the black triangle to the right to 194. You can see that this has lightened the overall effect a great deal.

 Manipulating the black output level is a quick way to lighten any image, and it’s a great way to make a background lighter, so that text on top of the background is more legible.

Experiment on your own image by dragging the various black and white input and output sliders to see how they effect your image. When you find the result you’re looking for, click OK.

The last step is to select Edit > Define Brush Preset.This will give you the opportunity to name the brush. The brush will appear in your brush list as the last brush on the list.

Share This

You can download these nifty brushes here as a zip file. Please don’t redistribute these brushes, but point people back to my web site for download. They take some time and effort to create. I hope that you find them useful.

Find out how to create and print out batches of 3by5 inch cards in a tutorial.

Share This

To many folks, that sounded safe, clean, all American, and wholesome.

To some of us, especially regarded in retrospect, it looks like the ingredients for squashed expression, thankless boredom, creativity expressed only in radish roses or rickracked curtains, and a smothering set of rules for behavior to be that good girl.

Bad girls blatantly refused to bend to the confines of the good girl role. They stayed out late, wore their tops too low and too tight, wore their eyeliner dark and their thoughts darker. They made their own rules and often suffered the social consequences. They were bad, and infinitely more intriguing.

Here to celebrate those bad girls is a set of Photoshop brushes pulled from the my collection of magazines of the period, cleaned up and ready to roll. These bad girls come with their own racy tabloid headlines. Download this brush set, which comes with a text file and brushes in .abr format.

Don’t redistribute these girls, or I’ll send their sisters (more bad girl brushes coming soon!) after you. Seriously, a lot of time and clean up went into these tabloid sisters. Please point people to my web site so I can justify the time and hosting expenses. A link back would be very much appreciated, too.

Share This

We’ll throw a couple of standard Photoshop filters on, add a little brushwork, and you’ll end up with an interesting, textured background for your 3 by 5 cards or web page or any project.

If you’ll be creating this for a 3by5 card, select File > New, and enter a Width of 5 inches a Height of 3 inches, and set the Resolution to 200 pixels/inch.

Fill the background with your grid, as shown here.

Add a new layer. Select Filter > Render > Clouds. This is one of the built in Photoshop filters that uses the foreground and background colors to create the effect. In the example shown here, the foreground is hexcode #592001, and the background is white. (Click the preview to enlarge.)

After adding the clouds, we’ll add a little noise to create more texture. Select Filter > Noise > Add Noise. I set the amount to 12%, the Distribution to Gaussian, and clicked the Monochromatic checkbox.

The effect is overpowering and has hidden the gridded background. Set the cloud layer’s blending mode to Multiply, and change the opacity slider to something around 35%.

You now have a pretty cool effect, of slightly rumpled paper. We’ll take the aging process one step further with the Burn tool.

Toggle the cloud layer off and select the burn tool. You’ll find the tool by clicking on the dodge tool and holding down the mouse button until the burn tool appears. You’ll want to select the settings shown above: a soft brush, the Range set to Highlights, and an exposure under 30%. Now you can loosely scribble on the edges to darken them and create the effect of old, worn paper. Experiment by changing the exposure amount and the brush size.When you’re done scribbling, you should have something like the example shown here.

Toggle the cloud layer back on by clicking the eye icon next to the layer label. Add a text layer using a handwritten or antique looking font to complete your artwork. The font I’ve used in the example is called Blackadder and is available from ITC. You may want to snag a freebie font from the collection of handcrafted fonts featured a while back.
Experiment and enjoy your new antiquing abilities.

This may not be exactly how grandma got things done, but she didn’t have Photoshop to play around with, did she?

Share This

The other point that’s resonating with me is that FLW reinvented himself at 59, when he was dead broke, and that the years that followed were some of his most prolific and innovative. As part of his reinvention of himself, he recruited backers, who would receive a percentage of his earnings. He wrote a book that began his self-mythology, and also started an apprenticeship program where young men and women stayed and worked at Taleisin.

The program included a look at many of the public and private buildings he designed, some of which I hadn’t seen before. Below is a snippet of this program:

If that snippet isn’t working, you can go to WowTV.

For fellow font collectors, P22 offers some wonderful FLW fonts, including the Exhibition and Eaglefeather sets.

Share This

If you’ll be creating this for a 3by5 card, select File > New, and enter a Width of 5 inches a Height of 3 inches, and set the Resolution to 200 pixels/inch. (You can, of course, use this method for anything from a web page to a full sheet of paper to a billboard).

Next, create another new file, by selecting File > New, and enter a Width of .3 inches, a Height of .3 inches, and the Resolution to 200 pixels/inch. This is the file that will contain the grid pattern you will create.

Next, click the foreground color in the Toolbox, and select a pale color for your gridlines. I’ve selected a pale blue gray, hexcode #C5D1eA. Select the Pencil tool, and set the brush size to 1 pixel.

Draw a straight horizontal line by shift+clicking the pencil in the grid file. Draw a vertical line by shift+clicking with the pencil tool again. It doesn’t matter where the lines intersect, just make sure that the lines go completely from side to side and top to bottom.

You’ve just created the grid background! To apply this as a repeating background, select Edit > Define Pattern, and enter a name for the pattern.

To fill the image with this background, select the 3 by 5 image you created in the first step. Next, select Edit > Fill > Pattern, then browse to the grid background you’ve just added. Click OK and the background pattern will fill the 3by5 card.

The background of your index card will fill with the pattern you’ve selected.

This gridded background can be used in a number of ways, such as filling the background for writing paper, or creating a guideline in a piece of artwork. If you’re using the background as part of a collage, or as guidelines in your art, you would want to put the background on it’s own layer.

Altering the colors and size of the background can give a wonderful variety of effects.

You can also alter the size and colors of the background in many ways to achieve different effects. You can add the grid to a gradient or textured background, or place it over a photo.

Share This